Premiere Pro supports working natively with RED Digital Cinema (R3D) footage from the following cameras & codec formats: You can natively import and edit Phantom Cine media shot on Vision Research Phantom cameras. The following metadata fields are now available for supported Panasonic cameras: This provides an easier starting point for grading. You can also view Panasonic Camera acquisition metadata in the Metadata panel. Panasonic P2 cameras and across multiple P2 cards.Panasonic AVC Ultra Long GOP (Group of Pictures).You can native import and edit media from the following cameras/camera codec formats: CinemaDNG can be debayered on a supported GPU for extreme playback performance. When working with CinemaDNG media, you can access the Source Settings and edit the metadata parameters. Premiere Pro lets you import and edit uncompressed CinemaDNG media from the following cameras: You can clip metadata without any transcoding, rewrapping, or logging and transferring required. Premiere Pro lets you import and edit QuickTime formats natively, including Apple ProRes and MOV files that Canon 5D and 7D cameras capture. You can work natively with Canon XF and Canon RAW footage, including footage from Canon Cinema EOS C300, C500, EOS R5, and EOS-1D X Mark III cameras. Premiere Pro provides the ability to import ALEXA LF (Large Footage) file format. Premiere Pro supports ARRIRAW and ProRes files from the ARRI ALEXA 35 camera. Premiere Pro provides built-in support for the ARRI AMIRA camera, with appropriate color LUTs applied as master clips on import. The required codecs are built into Premiere Pro and supported on both macOS and Windows systems unless stated otherwise. The media formats listed here are supported for directly importing and editing with Premiere Pro. Premiere Pro lets you work with a wide range of native media formats from the latest DSLR cameras without transcoding or file rewrapping. Supported native video and audio formats for importĪdobe Premiere Pro supports several audio and video formats, making your post-production workflows compatible with the latest broadcast formats. For example, an image that is 16,000×16,000 pixels are acceptable, as is one that is 32,000×8,000, but an image that is 35,000×10,000 pixels cannot be used. Still image and movie size: The maximum frame size to import still images and movies is 256 megapixels, with a maximum dimension of 32,768 pixels in either direction. If you attempt to set one of the Frame Size dimensions higher than this limit in the Sequence Settings dialog box, Premiere Pro resets the value to the maximum. The maximum sequence frame size in pixels is 10,240×8,192 (width x height).
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